Reversing beats and chopping it up to add stutter FX in the mastering. The real fun then came in the 2-track editing process, with EP doing hundreds of "Squarepusher Razor-blade" edits in Bias Peak, muting beats.
Bob sequenced the uptempo Jazzy track.then EP went to work on it, adding more Stylus RMX parts, using the RMX LFOs for heavy filtering and panning tricks and adding the heavily effected Trilogy Bass part. This is the demo that we get the most "how did he do that?" questions about.
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